Cast: Danny Denzogpa, Geetanjali Thapa, Tisca Chopra
Director: Deb Medhekar
Rating: 4 stars (out of five)
First-time director Medhekar, who also wrote the film's screenplay with inputs from Radhika Anand, imparts a mellow tone and distinctive visual texture to Bioscopewala, which is as much a celebration of the manifestations of humanity across cultural boundaries as an ode to cinema as a means of both recreation and rebellion.
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The passage of time may dim the glow of moving images just as it can reduce the intensity of human feelings, but do they ever vanish altogether? In Medhekar's take on Tagore's timeless classic, they certainly do not; if anything, they assume new depth and urgency. Like the hand impressions of two five-year-old girls imprinted on a piece of cloth keep the titular protagonist from disintegrating in the face of a series of misfortunes, memories of life-affirming connections of yore help a grieving girl surmount the untimely loss of her father.
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Fleeing the conflict in his country in the early 1990s, he ends up in Calcutta, where he befriends five-year-old Minnie (Miraya Suri), the only daughter of a widowed fashion photographer who is acutely aware of the things that he has left unsaid to the person dearest to him.
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Other plot details are done away with (like Minnie's mother), substantially modified (for instance, with regard to the circumstances that lead to Rehmat killing a man and being jailed) or added (in the form of a few characters that do not exist in Kabuliwala).
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The arrival of a mysterious, Alzheimer's-stricken old man, who is warmly received by the family retainer Bhola (Brijendra Kala), nettles her. But as she plunges into unravelling the mystery behind her father's voyage to Afghanistan, memories of her bonding with Rehmat, the bioscope man of her childhood, begin to waft back. The presence of the 70-year-old man in the house now assumes a new significance.
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The performances in Bioscopewala are first-rate. Danny Denzongpa gets so completely into the skin and soul of Rehmat Khan that it is difficult to separate the actor from the character. He leaves us wondering why we do not see him more often in substantial roles.
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Geetanjali Thapa, who is on the screen far longer than any of the other actors in the cast, carries the burden of holding the film together with confidence and conviction. Hers is finely tuned performance. It takes her minimum effort to exude a combination of melancholy and resolve.
The supporting cast is effective too. Adil Hussain, Tisca Chopra, Brijendra Kala and Ekavali Khanna do full justice to their significant cameos, adding to the tapestry that Bioscopewala creates in its attempt to capture, and transmit, the humanist core of the Tagore story. A sparkling little gem, applause-worthy all the way!
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