Los Angeles:
Marvin Hamlisch, who composed or arranged the scores for dozens of movies including The Sting and the Broadway smash A Chorus Line, has died in Los Angeles. He was 68.
Hamlisch collapsed and died Monday after a brief illness, his publicist Ken Sunshine said on behalf of the family. Other details were not released.
Hamlisch's career included composing, conducting and arranging music from Broadway to Hollywood, from symphonies to R&B hits. He won every major award in his career, including three Academy Awards, four Emmys, four Grammys, a Tony and three Golden Globes.
His music colored some of Hollywood and Broadway's most important works.
Hamlisch composed more than 40 film scores, including Sophie's Choice, Ordinary People, The Way We Were and Take the Money and Run. He won his third Oscar for his adaptation of Scott Joplin's music for The Sting. His latest work came for Steven Soderbergh's The Informant!
On Broadway, Hamlisch received both a Tony and the Pulitzer Prize in 1975 for the long-running favorite A Chorus Line and wrote the music for The Goodbye Girl and Sweet Smell of Success. He was scheduled to fly to Nashville, Tenn., this week to see a production of his musical The Nutty Professor, according to his publicist.
He even reached into the pop world, writing the No. 1 R&B hit Break It to Me Gently with Carole Bayer Sager for Aretha Franklin. He won the 1974 Grammys for best new artist and song of the year, The Way We Were, performed by Barbra Streisand.
Although he was one of the youngest students ever at the Juilliard School of Music, he never studied conducting. "I remember somebody told me, 'Earn while you learn,' " he told The Associated Press in 1996.
The Way We Were exemplified Hamlisch's old-fashioned appeal -- it was a big, sentimental movie ballad that brought huge success in the rock era. He was extremely versatile, able to write for stage and screen, for soundtracks ranging from Woody Allen comedies to a somber drama like Ordinary People.
He was perhaps even better known for his work adapting Joplin on The Sting. In the mid-'70s, it seemed everybody with a piano had the sheet music to The Entertainer, the movie's theme song. To this day, it's blasted by ice cream trucks.
Hamlisch's place in popular culture reached beyond his music. Known for his nerdy look, complete with thick eyeglasses, that image was sealed on NBC's Saturday Night Live during Gilda Radner's Nerd sketches. Radner, playing Lisa Loopner, would swoon over Hamlisch.
Hamlisch was principal pops conductor for symphony orchestras in Pittsburgh, Milwaukee, Dallas, Pasadena, Seattle and San Diego at the time of his death. He was to be announced to the same position with the Philadelphia Orchestra and also was due to lead the New York Philharmonic during its upcoming New Year's Eve concert.
He was working on a new musical, Gotta Dance, at the time of his death and was scheduled to write the score for a new film on Liberace, Behind the Candelabra.
He leaves behind a legacy in film and music that transcended notes on the page. As illustrative as the scenes playing out in front of the music, his scores helped define some of Hollywood's most iconic works.
He is survived by his wife of 25 years, Terre.
Hamlisch collapsed and died Monday after a brief illness, his publicist Ken Sunshine said on behalf of the family. Other details were not released.
Hamlisch's career included composing, conducting and arranging music from Broadway to Hollywood, from symphonies to R&B hits. He won every major award in his career, including three Academy Awards, four Emmys, four Grammys, a Tony and three Golden Globes.
His music colored some of Hollywood and Broadway's most important works.
Hamlisch composed more than 40 film scores, including Sophie's Choice, Ordinary People, The Way We Were and Take the Money and Run. He won his third Oscar for his adaptation of Scott Joplin's music for The Sting. His latest work came for Steven Soderbergh's The Informant!
On Broadway, Hamlisch received both a Tony and the Pulitzer Prize in 1975 for the long-running favorite A Chorus Line and wrote the music for The Goodbye Girl and Sweet Smell of Success. He was scheduled to fly to Nashville, Tenn., this week to see a production of his musical The Nutty Professor, according to his publicist.
He even reached into the pop world, writing the No. 1 R&B hit Break It to Me Gently with Carole Bayer Sager for Aretha Franklin. He won the 1974 Grammys for best new artist and song of the year, The Way We Were, performed by Barbra Streisand.
Although he was one of the youngest students ever at the Juilliard School of Music, he never studied conducting. "I remember somebody told me, 'Earn while you learn,' " he told The Associated Press in 1996.
The Way We Were exemplified Hamlisch's old-fashioned appeal -- it was a big, sentimental movie ballad that brought huge success in the rock era. He was extremely versatile, able to write for stage and screen, for soundtracks ranging from Woody Allen comedies to a somber drama like Ordinary People.
He was perhaps even better known for his work adapting Joplin on The Sting. In the mid-'70s, it seemed everybody with a piano had the sheet music to The Entertainer, the movie's theme song. To this day, it's blasted by ice cream trucks.
Hamlisch's place in popular culture reached beyond his music. Known for his nerdy look, complete with thick eyeglasses, that image was sealed on NBC's Saturday Night Live during Gilda Radner's Nerd sketches. Radner, playing Lisa Loopner, would swoon over Hamlisch.
Hamlisch was principal pops conductor for symphony orchestras in Pittsburgh, Milwaukee, Dallas, Pasadena, Seattle and San Diego at the time of his death. He was to be announced to the same position with the Philadelphia Orchestra and also was due to lead the New York Philharmonic during its upcoming New Year's Eve concert.
He was working on a new musical, Gotta Dance, at the time of his death and was scheduled to write the score for a new film on Liberace, Behind the Candelabra.
He leaves behind a legacy in film and music that transcended notes on the page. As illustrative as the scenes playing out in front of the music, his scores helped define some of Hollywood's most iconic works.
He is survived by his wife of 25 years, Terre.
