100 years of Bollywood: The films that started it all

Satyawadi Raja Harishchandra by Dadasaheb Phalke was the first full length feature film in India. But it was in the 1930s, with the introduction of sound in Alam Ara, that cinema took the first steps to melding itself into an essential part of the Indian identity, ecentually evolving into the behemoth called Bollywood..

As Indian cinema completes 100 years, here is a look at the greatest movies from the 1930s and 1940s.

  • <i>Satyawadi Raja Harishchandra</i> by Dadasaheb Phalke was the first full length feature film in India. But it was in the 1930s, with the introduction of sound in <i>Alam Ara</i>, that cinema took the first steps to melding itself into an essential part of the Indian identity, eventually evolving into the behemoth called Bollywood..<br><br>
 
As Indian cinema completes 100 years, here is a look at the greatest movies from the 1930s and 1940s.
    Satyawadi Raja Harishchandra by Dadasaheb Phalke was the first full length feature film in India. But it was in the 1930s, with the introduction of sound in Alam Ara, that cinema took the first steps to melding itself into an essential part of the Indian identity, eventually evolving into the behemoth called Bollywood..

    As Indian cinema completes 100 years, here is a look at the greatest movies from the 1930s and 1940s.
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  • <i>Alam Ara</i> (1931)<br>
Director: Ardeshir Irani<br>
Cast: Master Vithal, Zubeida, Prithviraj Kapoor, Jilloo<br><br>

The first talkie, <i>Alam Ara</i>, took months to make.  A period fantasy about an ageing king and his two rival queens, the movie changed the nature of Indian filmmaking forever.
    Alam Ara (1931)
    Director: Ardeshir Irani
    Cast: Master Vithal, Zubeida, Prithviraj Kapoor, Jilloo

    The first talkie, Alam Ara, took months to make. A period fantasy about an ageing king and his two rival queens, the movie changed the nature of Indian filmmaking forever.
  • <i>Hunterwali</i> (1935)<br>
Director: Homi Wadia<br>
Cast: Fearless Nadia, Sharifa, Gulsham<br><br>
 Actress Mary Evans aka Fearless Nadia is most remembered as the masked, cloaked, whip wielding adventuress who protects the poor and punishes the guilty. <i>The Hunterwali</i> brought to Indian cinema its first action heroine.
    Hunterwali (1935)
    Director: Homi Wadia
    Cast: Fearless Nadia, Sharifa, Gulsham

    Actress Mary Evans aka Fearless Nadia is most remembered as the masked, cloaked, whip wielding adventuress who protects the poor and punishes the guilty. The Hunterwali brought to Indian cinema its first action heroine.
  • <i>Devdas</i> (1936)<br>
Director: P C Barua<br>
Cast: P C Barua, K L Saigal, Jamuna Barua, T R Rajakumari<br><br>
 Nearly two decades before Bimal Roy directed Dilip Kumar in the classic tale of the lovelorn Devdas bent on self-destruction, Assamese director P C Barua adapted Sarat Chandra Chattopadhyay's masterpiece for the big screen. It starred K L Saigal as the eponymous hero and Jamuna Barua as Paro.
    Devdas (1936)
    Director: P C Barua
    Cast: P C Barua, K L Saigal, Jamuna Barua, T R Rajakumari

    Nearly two decades before Bimal Roy directed Dilip Kumar in the classic tale of the lovelorn Devdas bent on self-destruction, Assamese director P C Barua adapted Sarat Chandra Chattopadhyay's masterpiece for the big screen. It starred K L Saigal as the eponymous hero and Jamuna Barua as Paro.
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  • <i>Achhut Kanya </i>(1936)<br>
Director: Franz Osten<br>
Cast: Ashok Kumar, Devika Rani<br><br>
 Thirties era Bollywood tackled many socio-economic themes that would later be left to parallel or art-house cinema. Among these, perhaps the most famous was this tale of illicit romance between an untouchable girl and a high caste boy.
    Achhut Kanya (1936)
    Director: Franz Osten
    Cast: Ashok Kumar, Devika Rani

    Thirties era Bollywood tackled many socio-economic themes that would later be left to parallel or art-house cinema. Among these, perhaps the most famous was this tale of illicit romance between an untouchable girl and a high caste boy.
  • <i>Zindagi</i> (1940)<br>
Director: P C Barua<br>
Cast: K L Saigal, Jamuna, Pahari Sanyal <br><br>
 One of the highest grossing movies of the era, <i>Zindagi</i> revolved around an unemployed university graduate and is described as Barua's most beautiful films.
    Zindagi (1940)
    Director: P C Barua
    Cast: K L Saigal, Jamuna, Pahari Sanyal

    One of the highest grossing movies of the era, Zindagi revolved around an unemployed university graduate and is described as Barua's most beautiful films.
  • <i>Bandhan</i>(1940)<br>
Director: N R Acharya<br>
Cast: Leela Chitnis, Ashok Kumar, Suresh<br><br>
As the pyrotechnics of World War 2 spread out from Europe, Indian cinema quickly acquired deeply patriotic undertones. A stirring song from this movie, <i> Chal Chal Re Naujawan</i>, was written by poet Kavi Pradeep, who was to later write <i>Aye Mere Watan Ke Logo</i>, and established his reputation as a nationalist writer.
    Bandhan(1940)
    Director: N R Acharya
    Cast: Leela Chitnis, Ashok Kumar, Suresh

    As the pyrotechnics of World War 2 spread out from Europe, Indian cinema quickly acquired deeply patriotic undertones. A stirring song from this movie, Chal Chal Re Naujawan, was written by poet Kavi Pradeep, who was to later write Aye Mere Watan Ke Logo, and established his reputation as a nationalist writer.
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  • <i>Kismet</i> (1943)<br>
Director: Gyan Mukherjee<br>
Cast: Ashok Kumar, Mumtaz Shanti, Shah Nawaz<br><br>
One of the longest running movies in the history of Indian cinema, Gyan Mukherjee's <i>Kismat</i> ran for 150 weeks (three years). Produced by Bombay Talkies, it was the first film to feature an anti-hero character, broke social taboo by showing pregnancy out of wedlock and established Ashok Kumar, who played a double role in the film, as a superstar.
    Kismet (1943)
    Director: Gyan Mukherjee
    Cast: Ashok Kumar, Mumtaz Shanti, Shah Nawaz

    One of the longest running movies in the history of Indian cinema, Gyan Mukherjee's Kismat ran for 150 weeks (three years). Produced by Bombay Talkies, it was the first film to feature an anti-hero character, broke social taboo by showing pregnancy out of wedlock and established Ashok Kumar, who played a double role in the film, as a superstar.
  • <i>Tansen</i> (1943)<br>
Director: Jayant Desai<br>
Cast: K L Saigal, Khursheed Bano, Mubarak, Nagendra, Kamala Chatterjee, Bhagwandas<br><br>
 A blockbuster musical hit,  <i>Tansen</i> featured the singing sensations of the era, K L Saigal and Khursheed Bano, in the lead roles of Tansen and Tani respectively. The was music composed by Khem Chandra Prakash.
    Tansen (1943)
    Director: Jayant Desai
    Cast: K L Saigal, Khursheed Bano, Mubarak, Nagendra, Kamala Chatterjee, Bhagwandas

    A blockbuster musical hit, Tansen featured the singing sensations of the era, K L Saigal and Khursheed Bano, in the lead roles of Tansen and Tani respectively. The was music composed by Khem Chandra Prakash.
  • <i>Rattan</i> (1944)<br>
Director: M Sadiq<br>
Cast: Swaran Lata, Karan Dewan, Amir Banu<br><br>
The film that made the careers of music composer Naushad and singer Zohrabai Ambalawali was notable for it's refreshingly un traditional portrayal of interpersonal relationships and male attitudes.
    Rattan (1944)
    Director: M Sadiq
    Cast: Swaran Lata, Karan Dewan, Amir Banu

    The film that made the careers of music composer Naushad and singer Zohrabai Ambalawali was notable for it's refreshingly un traditional portrayal of interpersonal relationships and male attitudes.
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  • <i>Gaon Ki Gori</i> (1945)<br>
Director: K Amarnath<br>
Cast: Noorjahan, Nazir, Durga Khote<br>
 
The rustic setting and a melodious soundtrack by Shyam Sundar made this film a superhit. It was among singer-actress Noorjahan's biggest successes and also marked Mohammed Rafi's first recorded song in a Hindi film, the duet <i>Aji dil ho kaaboo mein</i>.
    Gaon Ki Gori (1945)
    Director: K Amarnath
    Cast: Noorjahan, Nazir, Durga Khote
    The rustic setting and a melodious soundtrack by Shyam Sundar made this film a superhit. It was among singer-actress Noorjahan's biggest successes and also marked Mohammed Rafi's first recorded song in a Hindi film, the duet Aji dil ho kaaboo mein.