Bollywood: The Good, The Bad, The Ugly
Bollywood: The Good, The Bad, The Ugly
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Dabangg's triple whammy of first timers – heroine Sonakshi Sinha, director Abhinav Kashyap and producer Arbaaz Khan – pulled a rabbit out of the Bollywood hat, helped along by Salman Khan as the larger than life Chulbul Pandey. The numbers speak for themselves: 212 cr at the box office cash register
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Director Prakash Jha meshed politics and violence in the gripping drama. Hot property Ranbir Kapoor discarded his chocolate boy image to flex some serious histrionic muscle but the surprise package was a saree-clad Katrina who delivered her difficult dialogues with aplomb.
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The God of Small Things was looking out for director Anusha Rizvi's small-budget, no-star debut Peepli Live which became a sleeper hit with it's tongue in cheek examination of hard-hitting issues and authentic performances. Did we mention the producer was Aamir Khan?
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The Good: Item No. 1 Munni: But before Sheila, there was Munni. Original item queen Malaika was a small town dream with her Badnaam act in Dabangg. Indian males had much to thank her for, as did Emami, makers of Zandu balm, who rode to the top of the finance graph on the Munni effect.
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Bollywood's original dancing diva Madhuri Dixit who had been missing from the big screen for some time now staged a comeback to the world of showbiz as a celebrity judge on reality dance show Jhalak Dikhhla Ja. She was last seen in Aaja Nachle which was a box office dud.
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The combined forces of Abhishek Bachchan, Aishwarya Rai and Southern superstar Vikram couldn't save Mani Ratnam's Raavan from crashing and burning. A disaster both commercially and critically, the much hyped movie had a good opening but then went thanda in week one itself
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Controversial reality shows Bigg Boss 4 and Rakhi Ka Insaaf found there was only so much indecency and vulgarity they could get away with after a televised wedding night and a contestant's suicide prompted the Information and Broadcasting Ministry to push both shows into the twilight zone of TV viewership.