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Sharmila Tagore, Elegant and Graceful at 70

With her daughter Soha Ali Khan's wedding reportedly around the corner, Bollywood actress Sharmila Tagore has a lot to look forward to as she turns a year older. Here's a look at the pictorial journey of the actress who burst into the film industry as a child actress in Satyajit Ray's 1959 Bengali film Apur Sansar.

  • With her daughter Soha Ali Khan's wedding reportedly around the corner, Bollywood actress Sharmila Tagore has a lot to look forward to as she turns a year older. Here's a look at the pictorial journey of the actress who burst into the film industry as a child actress in Satyajit Ray's 1959 Bengali film Apur Sansar.
  • Sharmila Tagore was born on December 8, 1944 in Hyderabad to a Bengali father and an Assamese mother. Her father, Gitindranath Tagore, is a descendant of the illustrious Tagore family of Bengal which counts Nobel Laureate Rabindranath Tagore as a member.
  • Sharmila converted to Islam in order to marry cricketer Mansoor Ali Khan, the Nawab of Pataudi in a nikah ceremony held on December 27, 1969. After the wedding vows, she took the name Ayesha Sultana. Mansoor Ali Khan died of a lung disease in 2011.
  • The Pataudis have three children. Their eldest son, Saif Ali Khan, is one of the leading actors in Bollywood today. Elder daughter Saba chose a career in jewellery designing. Their youngest daughter Soha Ali Khan worked independently in the financial sector before making a much delayed debut in Bollywood.
  • At the tender age of 14, Sharmila Tagore made her film debut as the leading lady in Satyajit Ray's 1959 Bengali film Apur Sansar. She played the role of the ill-fated bride of central character Apu with no prior acting experience whatsoever.
  • The critically acclaimed director subsequently cast her again in his next film Devi. Thereafter, their bond grew stronger with three more films together - Nayak, Aranyer Din Ratri and Seemabaddha.
  • It was Howrah Bridge director Shakti Samanta who gave Sharmila Tagore her first break in Bollywood with Kashmir Ki Kali (1964), opposite Shammi Kapoor. The film turned out to be a mega hit.
  • Shakti Samanta's An Evening in Paris (1967) featured Sharmila Tagore in a double role, once again opposite Shammi Kapoor. The actress made an appearance in a swimsuit, then relatively rare in Bollywood.
  • Soon after, she posed on the cover of Filmfare magazine in a bikini, setting the trend for many of her peers in the film industry.
  • Sharmila's most successful jodi was with Bollywood actor Rajesh Khanna with whom she was first cast in Aradhana (1969). She was awarded the Filmfare Best Actress Award for her heart-wrenching performance as the mother of an illegitimate son in the film.
  • Sharmila Tagore and Rajesh Khanna were again cast together in the 1972 hit Amar Prem in which the actress played Pushpa, a courtesan in Kolkata. The film was most remembered for Rajesh Khanna's dialogue, "Pushpa, I hate tears". The two went on to act in acclaimed films such as Daag, Maalik, Chhoti Bahu and Safar.
  • In 1975, Sharmila Tagore starred in Gulzar's legendary movie Mausam alongside Sanjeev Kumar. She won the National Film Award for Best Actress for her role in the film.
  • In the past 20 years, Sharmila has consciously chosen to lead a life away from the arc lights and the greasepaint, acting in only a handful of films such as Mira Nair's Mississippi Masala (1991), the Marathi film Samaantar (2009) and Eklavya: The Royal Guard (2007), in which she co-starred with her son Saif Ali Khan.
  • In 2004, she received the National Film Award for Best Supporting Actress for her role in Goutam Ghose's Abar Aranye, a sequel of sorts to Satyajit Ray's Aranyer Din Ratri.
  • Sharmila also received the title of 'Commander of the Order of Arts and Letters of France', given to those who have made a mark in recognition of significant contributions to the arts and literature.
  • In 2009, she was the third Indian woman to be part of the jury at the Cannes film festival.

    We wish Sharmila a very happy birthday and a great year ahead.
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